William Blake as Natural Philosopher, 1788-1795

William Blake as Natural Philosopher, 1788-1795William Blake as Natural Philosopher, 1788 1795 takes seriously William Blakes wish to be read as a natural philosopher, particularly in his early illuminated works, and reveals the way that poetry and visual art were for Blake an imaginative way of philosophizing.

Few directors of the 1930s and 40s were as distinctive and popular as Preston Sturges

as well as an extensive introduction and notes

it’s not always easy to keep track of who’s who – or what kind of research they’re conducting

This edited collection explores the afterlife of Mary Shelley's Frankenstein in theatre and film

This guide aims to improve the principles of the third generation of cataloguing and

autobiography and performance as both a means of expression and control of their private and public selves on the page and on the stage from the late eighteenth century to the present day

and puts to the test effectiveness of this messaging among the Italian people

the book traces the ways in which stress became a ubiquitous condition of everyday life by the end of the twentieth century in Britain

diasporic hybridity

This book provides key insights from stakeholders across the teaching and learning spectrum and offers examples of pedagogical practice to those interested in facilitating arts education

his stay in South Africa and his subsequent residence in London where he became the secretary of the Anti-Slavery Society and a well-known editor

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